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1623 Jodocus Hondius II and Jan Jansson Globe Gores of North America
AmericaGores-hondiusjansson-1623Beyond the mountains from whence is the head of the River Patawomeke, the Savages report, inhabit their most mortal enemies, the Massawomecks, upon a great salt water, which by all likelihood is either some part of Canada, some great lake, or some inlet of some sea that falleth into the South Sea. These Massawomekes are a great nation and very populous.... from the French (they) have their hatchets and Commodities by trade. (emphases ours)Although Smith relates violent encounters with a Massawomeck raiding party on the Chesapeake, the Massawomecks were a fur-trapping and trading tribe nearly as new to the Chesapeake region as Smith - their homeland was actually Lake Erie. Thus, the 'Massawomeck' body of saltwater appearing on the 1612 Smith and the Lacus Saltus Apalatcius shown on this 1623 gore depict the same body of water - Lake Erie - which Smith supposed might be a great lake, or the sea of Verrazzano.
The Seventeenth Century was almost wholly barren of cartographic progress with respect to the American West. During that period the Island of California concept was introduced and was accepted by most European mapmakers, while the entrance to the Strait of Anian was brought south by some almost, if not quite, to the northern limit of this fictitious island.Observing the broad survey of that century's work, it would be difficult to say that Wheat was wrong in his assessment, making the present map's cartography in this area all the more remarkable. This area is bounded in the north by the Saint Lawrence River, on the East by the 'Rio del Santo Spr.o', on the west by the 'Mar Vermeio' (the Gulf of California), and on the south by the (astonishingly accurately depicted) Rio Grande and Pecos rivers. The common conflation of the Rio Grande and the Colorado River does not occur here. The correct placement of these rivers is in sharp contrast to Hondius and Jansson's own mapping of this region on their America and world maps, and indeed those of every one of these mapmakers' contemporaries. The 1606 Hondius comes close in its depiction of the Rio Grande, and the 1621 Colijn Hydrographica seems to. However, the avid interest placed in this part of the world by Spanish explorers and conquerors was accompanied by an equal passion in keeping its treasures secret.
Jodocus Hondius (October, 14 1563 - February 12, 1612) was an important Dutch cartographer active in the late 16th and early 17th centuries. His common name, Jodocus Hondius is actually a Latinized version of his Dutch name, Joost de Hondt. He is also sometimes referred to as Jodocus Hondius the Elder to distinguish him from his sons. Hondius was a Flemish artist, engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. Hondius was born and raised in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. During his stay in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the cove of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593, Hondius returned to Amsterdam, where he remained until the end of his life. In 1604, he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival atlas, Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself produced. Despite the addition of his own contributions, Hondius recognizing the prestige of Mercator's name, gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator revived the great cartographer's reputation and was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version called the Atlas Minor. The maps have since become known as the "Mercator/Hondius series". Between 1605 and 1610 Hondius was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Following Hondius' death in 1612, his publishing work in Amsterdam was continued by his widow and two sons, Jodocus II and Henricus. Later his family formed a partnership with Jan Jansson, whose name appears on the Atlasas co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the 'Mercator/Hondius/Jansson' series because of Jansson's later contributions. Hondius' is also credited with a number of important cartographic innovations including the introduction of decorative map borders and contributions to the evolution of 17th century Dutch wall maps. The work of Hondius was essential to the establishment Amsterdam as the center of cartography in Europe in the 17th century. More by this mapmaker...
Jan Jansson or Johannes Janssonius (1588 - 1664) was born in Arnhem, Holland. He was the son of a printer and bookseller and in 1612 married into the cartographically prominent Hondius family. Following his marriage he moved to Amsterdam where he worked as a book publisher. It was not until 1616 that Jansson produced his first maps, most of which were heavily influenced by Blaeu. In the mid 1630s Jansson partnered with his brother-in-law, Henricus Hondius, to produce his important work, the eleven volume Atlas Major. About this time, Jansson's name also begins to appear on Hondius reissues of notable Mercator/Hondius atlases. Jansson's last major work was his issue of the 1646 full edition of Jansson's English Country Maps. Following Jansson's death in 1664 the company was taken over by Jansson's brother-in-law Johannes Waesberger. Waesberger adopted the name of Jansonius and published a new Atlas Contractus in two volumes with Jansson's other son-in-law Elizée Weyerstraet with the imprint 'Joannis Janssonii haeredes' in 1666. These maps also refer to the firm of Janssonius-Waesbergius. The name of Moses Pitt, an English map publisher, was added to the Janssonius-Waesbergius imprint for maps printed in England for use in Pitt's English Atlas. Learn More...
Abraham Goos (1590–1643) was a Dutch engraver of maps, sea charts, and globes. His work is most commonly connects with the firms of Joannes Jansson, Jocodus Hondius, and John Speed. Goos was based in Antwerp and later Amsterdam. Abraham Goos was succeeded by his son Pieter Goos, who was in tern succeeded by his son H. Goos. Learn More...
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This copy is copyright protected.
Copyright © 2024 Geographicus Rare Antique Maps