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1647 Dudley Map of the Gulf of Mexico and Florida - 1st chart of those waters
Baiadimessico-dudley-1647The true location of the bay into which the R: di Sa. Spirito flows is strongly debated. Generally, it is believed to represent the mount of the Mississippi River; however, some authorities argue that it represents Galveston Bay. It is more likely that it has been used for both. The maps drawn following the Hernando do Soto expedition of 1539 - 43 clearly identified it as the former. Other rivers are believed to be as follows: R:Montanhas (Sabine River), R:d'Ouro (Trinity River) and R:Madalena (Nueces River). The author believes that the R:Escondido represents the Rio Grande.Other recognizable features are the erupting volcano between Mexico City and Veracruz, which can only be Popocatépetl or Citlaltépetl. To the southwest of Cozumel (Cozumes) Island (with safe anchorage), there is a ruin, which is mostly likely the ancient Mayan ruins of Tulum, which can be seen from the sea.
Sir Robert Dudley (August 7, 1573 - September 6, 1649) was an English explorer and cartographer, the publisher of the Dell’Arcano de Mare, one of the greatest nautical atlases of all time. He was the illegitimate son of Robert Dudley, 1st Earl of Leicester (a favorite of Queen Elizabeth I) and Douglas Sheffield, the widow of John Sheffield, 2nd Baron Sheffield. In 1594, Dudley led an expedition across the Atlantic, with the intent of harassing Spanish merchantmen. His expedition met with a series of misfortunes, but successfully returned to England the following year. In 1596, Dudley joined an expedition led by Robert Devereux, 2nd Earl of Essex, against Cadiz. He served as the commander of the Nonpareil, and was knighted for his conduct in the capture of Cadiz. In 1603, Dudley made an attempt to establish his legitimacy at court and gain several inheritances, after being (possibly erroneously) informed that his parents had been secretly married. No concrete proof of the marriage could be furnished, thus the judgement was handed down against him in May 1605. Dudley left England in July of the same year, with his lover and cousin Elizabeth Southwell, who was disguised as his page. They married in Lyon in 1606 having received a papal dispensation. The couple settled in Florence, where Dudley began using his father’s title, Earl of Leicester, and his uncle’s, Earl of Warwick. In Florence, Dudley designed and built warships for the arsenal at Livorno and became a naval advisor to Ferdinand I, Grand Duke of Tuscany. In 1607, James I revoked Dudley’s travel license once ordered that he return to provide for his deserted wife and family. Dudley refused, was subsequently labeled an outlaw, and his estate was confiscated. By far Dudley’s most important work was the Dell’Arcano del Mare (Secrets of the Sea). His most celebrated achievement, is the atlas of sea charts of the world which accompanied the work. This maritime atlas was the first nautical atlas of the entire world in print, the first made by an Englishman, the first to show prevailing winds and currents, and the first to use the Mercator projection throughout. More by this mapmaker...
Antonio Francesco Lucini (January 1, 1610 - 1661), a.k.a. Anton, was an Italian engraver and printmaker. Lucini was born in Florence born in 1605. Lucini initially studied engraving with Stefano della Bella (1610 - 1664) under Jacques Callot (c 1592 - 1635), who lived in Florence from 1612 to 1621. He is recorded in 1616 as Callot's assistant in Florence. After 1621, he joined flowed Callot in Nancy to continue his training. He returned to Florence sometime before 1631, when he published a series of plates on the Great Siege of Malta. He is best known in cartographic circles as the engraver for Sir Robert Dudley's seminal maritime atlas Dell'Arcano del Mare (Of the Mysteries of the Sea), published in Florence in 1645 - 1646. The 200 engraved plates and 146 charts which Lucini produced for Dudley occupied 12 years occupied 12 years of his life and consumed some 5000lbs of copper. The engravings exhibit Lucini’s masterful craftsmanship and are outstanding examples of Italian Baroque engraving. Indeed, while Dudley was a master chartmaker, it is Lucini's virtuoso engraving and fine calligraphy that most define Dudley's work. Learn More...
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This copy is copyright protected.
Copyright © 2024 Geographicus Rare Antique Maps