An example of Johann Baptist Homann's c. 1710 map of southeastern Europe, with a special focus on the Danube River.
A Closer Look
Coverage embraces from Bohemia to Malta in the west and from the Dnieper (Dnipro) River to Crete and Rhodes in the east. Settlements are labeled throughout, with the larger towns and cities illustrated by buildings. Several of these are recorded for purely academic interest, such as Delphi, which had been destroyed and abandoned for centuries. Waterways, hills and mountains, islands, coastal features, and administrative boundaries are also illustrated. The Danube and its tributaries are traced in bold lines across the map. The ancient Roman Via Militaris is also noted, running between Belgrade (Singidunum) and Seliuree (Silivri, formerly Selymbria or Selybria) near Constantinople. The combination of Latin, Italian, German, and Polish placenames gives a sense of Homann's source material, as well as the prevailing political powers in different regions.
A curious inset map on the left covers the Upper Danube, originating in the Black Forest and flowing through Swabia. The title cartouche includes several references to Greek mythology, including Pegasus at the top and Istros at the right, symbolizing the Danube River. The figures at left are uncertain, but they could be Heracles slaying the Lernaean Hydra or Cadmus defeating a similar water dragon. The figures to the far left of the cartouche are likely naiads (freshwater nymphs).Historical Context
Between 1707 and 1710, Greece and the wider Balkans were under the control of the Ottoman Empire, which was experiencing both internal challenges and external threats during this period. While Ottoman rule remained dominant, the region was marked by unrest and tensions stemming from heavy taxation, corruption, and the empire's efforts to suppress dissent. In Greece, particularly in the Peloponnese, this period followed the end of the Morean War (1684 - 1699), during which the Venetians had temporarily taken control of the region. However, the Treaty of Karlowitz (1699) had returned the Peloponnese to Ottoman control, and by 1707, the Ottomans were re-establishing their authority, often harshly, leading to resentment among the Greek population. Resistance to Ottoman rule simmered in the northern Balkans, with Christian populations in Serbia, Bulgaria, and Wallachia looking to Austria or Russia for support. However, these powers were preoccupied with other conflicts, such as the Great Northern War and Rákóczi's War of Independence in Hungary.Publication History and Census
This map was prepared by Johann Baptist Homann. Although examples in institutional catalogs are assigned dates ranging from 1702 into the 1730s (with later issues by Homann Heirs into the late 1750s), the present work was prepared between 1707 and 1710 for inclusion in the 1710 edition of his Neuer Atlas. Although later issues of the map are superficially similar to the present map, there are numerous updates and changes, including Homann's Privilege, explanatory notes, and a representation of the Danube River transposed on the Black Sea in later issues. Also, the face of the mythological figure holding a lyre and bow on the left side of the cartouche is noticeably different between the present map and later issues, indicating a new plate rather than modifications to an existing plate. Of note, this example has an old color cartouche, which is very rare in Homann maps, as he generally preferred to leave the cartouche uncolored (most examples with colored cartouches represent modern color).
Cartographer
Johann Baptist Homann (March 20, 1664 - July 1, 1724) was the most prominent and prolific map publisher of the 18th century. Homann was born in Oberkammlach, a small town near Kammlach, Bavaria, Germany. As a young man, Homann studied in a Jesuit school and nursed ambitions of becoming a Dominican priest. Nonetheless, he converted to Protestantism in 1687, when he was 23. It is not clear where he mastered engraving, but we believe it may have been in Amsterdam. Homann's earliest work we have identified is about 1689, and already exhibits a high degree of mastery. Around 1691, Homann moved to Nuremberg and registered as a notary. By this time, he was already making maps, and very good ones at that. He produced a map of the environs of Nürnberg in 1691/92, which suggests he was already a master engraver. Around 1693, Homann briefly relocated to Vienna, where he lived and studied printing and copper plate engraving until 1695. Until 1702, he worked in Nuremberg in the map trade under Jacob von Sandrart (1630 - 1708) and then David Funck (1642 - 1709). Afterward, he returned to Nuremberg, where, in 1702, he founded the commercial publishing firm that would bear his name. In the next five years, Homann produced hundreds of maps and developed a distinctive style characterized by heavy, detailed engraving, elaborate allegorical cartouche work, and vivid hand color. Due to the lower cost of printing in Germany, the Homann firm could undercut the dominant French and Dutch publishing houses while matching their diversity and quality. Despite copious output, Homann did not release his first major atlas until the 33-map Neuer Atlas of 1707, followed by a 60-map edition of 1710. By 1715, Homann's rising star caught the attention of the Holy Roman Emperor Charles VI, who appointed him Imperial Cartographer. In the same year, he was also appointed a member of the Royal Academy of Sciences in Berlin. Homann's prestigious title came with several significant advantages, including access to the most up-to-date cartographic information as well as the 'Privilege'. The Privilege was a type of early copyright offered to very few by the Holy Roman Emperor. Though less sophisticated than modern copyright legislation, the Privilege offered limited protection for several years. Most all J. B. Homann maps printed between 1715 and 1730 bear the inscription 'Cum Priviligio' or some variation. Following Homann's death in 1724, the firm's map plates and management passed to his son, Johann Christoph Homann (1703 - 1730). J. C. Homann, perhaps realizing that he would not long survive his father, stipulated in his will that the company would be inherited by his two head managers, Johann Georg Ebersberger (1695 - 1760) and Johann Michael Franz (1700 - 1761), and that it would publish only under the name 'Homann Heirs'. This designation, in various forms (Homannsche Heirs, Heritiers de Homann, Lat Homannianos Herod, Homannschen Erben, etc.) appears on maps from about 1731 onwards. The firm continued to publish maps in ever-diminishing quantities until the death of its last owner, Christoph Franz Fembo (1781 - 1848). More by this mapmaker...
Source
Homann, J. B., Neuer Atlas bestehend in einig curieusen Astronomischen Kuppren und vielen auserlesenen accuratensten Land-Charten über die Gantze Welt, (Nuremberg: Homann) 1710.
Homann's Neuer Atlas bestehend in einig curieusen Astronomischen Kuppren und vielen auserlesenen accuratensten Land-Charten über die Gantze Welt was first publihsed in 1707 with 33 maps. A second edition followed in 1710 with 60 maps. Subsequent editions followed until about 1730. The title page notes proudly that the atlas features measurements based on the 'Copernican principle of the moving sky', a truly state-of-the-art innovation for the period. Regardless of editions, collations of the atlas are inconsistent, with some examples having less, while others have more maps - a consequence of the fact that the map sheets were delivered loose, to be bound at the buyer's discretion, and so some buyers chose to omit maps they did not consider relevant, or add others they did. Between editions, the constituent maps, particularly of European regions, were regularly updated to reflect the most recent political events. The atlas continued to be published by Homann's son, J. C. Homann (1703 - 1730), and then by Homann Heirs. Most examples also feature a fine allegorical frontispiece with the title Atlas Novus Terrarum Orbis Imperia, regna et Status, which was used for multiple Homann atlases, including the Neuer Atlas and the Atlas Minor.
Very good. Closed centerfold split to the right of the cartouche, stabilized on verso. Soiling lower corners due to handling. Small pencil annotation near center.