A beautiful, original color example of Johann Baptist Homann's 1702 map of the Netherlands, featuring inset maps and city views celebrating the 17th-century global empire of the Dutch. It is the only Homann map to name New York City.
A Closer Look
The central map focuses on the Netherlands, inclusive of part of Germany in the east, and Flanders and the Duchy of Brabant in the south. (The Duchy of Brabant was at that time part of the Netherlands as the territory of Staats-Brabant, although not one of the founding provinces of the Dutch Republic.) An inset map in the lower right includes the course of the River Meuse upstream of Wessem, including Maastricht and part of Limburg.
Neighboring the elegant, allegorical cartouche are two inset maps portraying two of the Dutch trading empire's global footholds. Below the cartouche is a map of Southeast Asia, including part of Australia (Nova Hollandia) shown as it was understood prior to the explorations of Abel Tasman (1603 - 1659). At the bottom of the inset is a view of the Dutch port of Batavia, on Java.
At the upper right of the cartouche is an inset map of New York and New England, in the northeast part of North America. Derived from the Jansson-Visscher map's c. 1683 cartography, it focuses on the Dutch-settled New Netherlands and includes a rendition of the so-called 'Visscher View' of New Amsterdam. The passage of the territory into the hands of the English is quietly acknowledged with the inclusion of the place name 'Niew Jorck'A Beautifully Engraved Cartouche
The expert engraver at work in producing this plate employed classical figures in celebration of the Dutch trading empire, even as it was in decline. A winged avatar of fame blows her trumpet atop the composition, bestowing a laurel of victory to the Netherlands; a cluster of putti flutter up to her, muscling the Dutch royal arms into place along with a caduceus invoking the Dutch's mercantile power. Suspending the cartouche are a merman and nereid, while another cradles a ship in her arms; meanwhile, Neptune points magisterially at the name of the Dutch Republic: all acknowledgments of the Dutch achievements as a sea power.Publication History and Census
This is the first plate of this map, probably engraved by Homann himself, for inclusion in his planned 1702 Neuer Atlas. This first plate remained in the Homann atlas until 1716 at the latest, by which point a completely re-engraved second plate began to appear. It is easily distinguishable by the very different engraving of the cartouche, with additional long hachure added to the Batavia view and different shading schemes for the figures; also, the engraver of the second plate did not exhibit as much skill at rendering faces as the engraver of the first plate. There are many other changes in the execution of decorative detail but not in content, but we observe no changes in the geography. A third plate appears in the vicinity of 1730, which included the imperial privilege. We see this third plate appearing unchanged as late as 1788 in the Homann Heirs atlases. The present first-plate example is from a 1710 edition of the Neuer Atlas. In its various editions, the map is well-represented in institutional collections, and versions of the map occasionally appear on the market. However, there is no complete census of individual states and plates, so the dating of these pieces is difficult to determine without examination of the maps themselves.
Cartographer
Johann Baptist Homann (March 20, 1664 - July 1, 1724) was the most prominent and prolific map publisher of the 18th century. Homann was born in Oberkammlach, a small town near Kammlach, Bavaria, Germany. As a young man, Homann studied in a Jesuit school and nursed ambitions of becoming a Dominican priest. Nonetheless, he converted to Protestantism in 1687, when he was 23. It is not clear where he mastered engraving, but we believe it may have been in Amsterdam. Homann's earliest work we have identified is about 1689, and already exhibits a high degree of mastery. Around 1691, Homann moved to Nuremberg and registered as a notary. By this time, he was already making maps, and very good ones at that. He produced a map of the environs of Nürnberg in 1691/92, which suggests he was already a master engraver. Around 1693, Homann briefly relocated to Vienna, where he lived and studied printing and copper plate engraving until 1695. Until 1702, he worked in Nuremberg in the map trade under Jacob von Sandrart (1630 - 1708) and then David Funck (1642 - 1709). Afterward, he returned to Nuremberg, where, in 1702, he founded the commercial publishing firm that would bear his name. In the next five years, Homann produced hundreds of maps and developed a distinctive style characterized by heavy, detailed engraving, elaborate allegorical cartouche work, and vivid hand color. Due to the lower cost of printing in Germany, the Homann firm could undercut the dominant French and Dutch publishing houses while matching their diversity and quality. Despite copious output, Homann did not release his first major atlas until the 33-map Neuer Atlas of 1707, followed by a 60-map edition of 1710. By 1715, Homann's rising star caught the attention of the Holy Roman Emperor Charles VI, who appointed him Imperial Cartographer. In the same year, he was also appointed a member of the Royal Academy of Sciences in Berlin. Homann's prestigious title came with several significant advantages, including access to the most up-to-date cartographic information as well as the 'Privilege'. The Privilege was a type of early copyright offered to very few by the Holy Roman Emperor. Though less sophisticated than modern copyright legislation, the Privilege offered limited protection for several years. Most all J. B. Homann maps printed between 1715 and 1730 bear the inscription 'Cum Priviligio' or some variation. Following Homann's death in 1724, the firm's map plates and management passed to his son, Johann Christoph Homann (1703 - 1730). J. C. Homann, perhaps realizing that he would not long survive his father, stipulated in his will that the company would be inherited by his two head managers, Johann Georg Ebersberger (1695 - 1760) and Johann Michael Franz (1700 - 1761), and that it would publish only under the name 'Homann Heirs'. This designation, in various forms (Homannsche Heirs, Heritiers de Homann, Lat Homannianos Herod, Homannschen Erben, etc.) appears on maps from about 1731 onwards. The firm continued to publish maps in ever-diminishing quantities until the death of its last owner, Christoph Franz Fembo (1781 - 1848). More by this mapmaker...
Source
Homann, J. B., Neuer Atlas bestehend in einig curieusen Astronomischen Kuppren und vielen auserlesenen accuratensten Land-Charten über die Gantze Welt, (Nuremberg: Homann) 1710.
Homann's Neuer Atlas bestehend in einig curieusen Astronomischen Kuppren und vielen auserlesenen accuratensten Land-Charten über die Gantze Welt was first publihsed in 1707 with 33 maps. A second edition followed in 1710 with 60 maps. Subsequent editions followed until about 1730. The title page notes proudly that the atlas features measurements based on the 'Copernican principle of the moving sky', a truly state-of-the-art innovation for the period. Regardless of editions, collations of the atlas are inconsistent, with some examples having less, while others have more maps - a consequence of the fact that the map sheets were delivered loose, to be bound at the buyer's discretion, and so some buyers chose to omit maps they did not consider relevant, or add others they did. Between editions, the constituent maps, particularly of European regions, were regularly updated to reflect the most recent political events. The atlas continued to be published by Homann's son, J. C. Homann (1703 - 1730), and then by Homann Heirs. Most examples also feature a fine allegorical frontispiece with the title Atlas Novus Terrarum Orbis Imperia, regna et Status, which was used for multiple Homann atlases, including the Neuer Atlas and the Atlas Minor.
Very good. Mend at bottom centerfold just entering image, no loss. Old mounting on thick paper for binding; attractive original hand color. Some marginal soiling, else excellent.
OCLC 159834679. Rumsey 12499.171 (1716 plate 2), 9753.048 (1788 plate 3).