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1561 Ruscelli / Gastaldi map of Italy and Corsica

Italy-ruscelli-1574
$225.00
Tavola Nuova d' Italia. - Main View
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1561 Ruscelli / Gastaldi map of Italy and Corsica

Italy-ruscelli-1574

Early map of Italy.

Title


Tavola Nuova d' Italia.
  1574 (undated)     7.5 x 9.75 in (19.05 x 24.765 cm)     1 : 5100000

Description


This is Girolamo Ruscelli's 1574 edition of Giocomo Gastaldi's modern map of Italy, an attractive early copperplate map based on contemporary cartographic information.
A Closer Look
Coverage embraces the whole of the Italian peninsula, from the Piedmont to Otranto, and from Venice in the north to the tip of 'the boot,' here marked with the Capo dell'Armi. The map thus includes all of Corsica, the north part of Sardinia, and the north half of Sicily. Predominantly, cities are marked with a simple circle; mountains are indicated pictorially. Distinct from these, volcano of Mount Etna is shown ablaze, and the towers of the mapmaker's home of Venice are illustrated in miniature. The place names on the map and its topography are drawn from the 1548 Gastaldi. Ruscellis' map, benefiting from the skills of the engraver Giulio Sanuto, is twice the size of the 1548 map, and is a far more attractive and legible.
Publication History and Census
This map was engraved by Giulio Sanuto for inclusion in the 1561 edition of Girolamo Ruscelli's Ptolemy. The maps for the 1561, 1562 and 1564 printings were printed two-to-a-plate, and examples of such maps exhibit platemarks running off the top of the page. At some point after 1564 the plate was divided, and the individual maps exhibit plate marks all the way around the printed image thereafter. This example conforms typographically to the 1574 Ziletti edition of the map. Later editions, easily identified from the additional letterpress text above the plate, are common on the market.

CartographerS


Giocomo Gastaldi (c. 1500 - October, 1566) was an Italian astronomer, cartographer, and engineer active in the second half of the 16th century. Gastaldi (sometimes referred to as Jacopo or Iacobo) began his career as an engineer, serving the Venetian Republic in that capacity until the fourth decade of the sixteenth century. During this time he traveled extensively, building a large library relating to voyages and exploration. From about 1544 he turned his attention to mapmaking, working extensively with Giovanni Battista Ramusio, Nicolo Bascarini, and Giovanbattista Pedrezano, as well ask taking private commission for, among others, Venice's Council of Ten. He is credited with the fresco maps of Asia and Africa still extent in the map room of the Doge's Palace. Gastaldi was also one of the first cartographers to embrace copper plate over woodblock engraving, marking and important development in the history of cartography. His 1548 edition of Ptolemy's Geographia was the first to be printed in a vernacular; it was the first to be printed in copperplate. As with his Swiss/German contemporary Münster, Gastaldi;'s work contained many maps depicting newly discovered regions for the first time, including the first map to focus on the East Coast of North America, and the first modern map of the Indian Peninsula. His works provided the source for the vast majority of the Venetian and Roman map publishers of the 1560s and 70s, and would continue to provide an outsize influence on the early maps of Ortelius, De Jode, and Mercator. Giocomo Gastaldi's 1548 edition of Claudius Ptolemy's Geographia - that is, La Geografia - . This appeared in six Latin editions in 1540, 1541, 1542, 1545, 1551 and 1552. According to Karrow, Munster based the text on the Latin translation of Willibald Pirkheimer, but he carefully collated it with previous editions, adding notes of his own. The first three editions contained 48 maps, consisting of 27 based on Ptolemy's ancient geography, and 21 maps based on modern geographical knowledge. The latter three editions contained 54 maps, comprised of the same ancient works but with six of the modern maps discarded, and twelve new ones added. For the collector, the modern maps are of sharpest interest. Some were based on Waldseemuller's geography, but many were based on Munster's own surveys and those of other European geographers whose assistance Munster had been able to enlist. Most of these would be reprised in Munster's magnum opus, Cosmographia Universalis. A disproportionate number of Munster's modern maps show contemporary geographical knowledge of the their respective areas for the very first time: The first map to show the continents of the Western Hemisphere; the first map to focus on the continent of Asia; the first modern map to name the Pacific Ocean. Even in cases where earlier maps exist, Munster's works very often remain the earliest such acquirable by the collector. More by this mapmaker...


Girolamo Ruscelli (1500 - 1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Born in Viterbo, Ruscelli lived in Aquileia, Padua, Rome and Naples before relocating to Venice, where he spent much of his life. Cartographically, Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published posthumously in 1574. Ruscelli, basing his work on Gastaldi's 1548 expansion of Ptolemy, added some 37 new "Ptolemaic" maps to his Italian translation of the Geographia. Ruscelli is also listed as the editor to such important works as Boccaccio's Decameron, Petrarch's verse, Ariosto's Orlando Furioso, and various other works. In addition to his well-known cartographic work many scholars associate Ruscelli with Alexius Pedemontanus, author of the popular De' Secreti del R. D. Alessio Piemontese. This well-known work, or "Book of Secrets" was a compilation of scientific and quasi-scientific medical recipes, household advice, and technical commentary on a range of topics that included metallurgy, alchemy, dyeing, perfume making. Ruscelli, as Alexius, founded a "Academy of Secrets," a group of noblemen and humanists dedicated to unearthing "forbidden" scientific knowledge. This was the first known experimental scientific society and was later imitated by a number of other groups throughout Europe, including the Accademia dei Secreti of Naples. Learn More...


Giulio Sanuto (fl. 1540 – 1580) was a Venetian engraver. He was born the illegitimate son of Cavaliere Francesco di Angelo Sanuto; With his brother, the cartographer and scientific instrument maker Livio Sanuto (1520 – 1576) he produced an array of some of the most important geographical works produced in Venice during the second half of the sixteenth century. These included a 27-inch globe and the 1588 12-sheet atlas, Geografia della Africa. Giulio's career is singluar among Venice's engraves in that it appears to have been equally based on artistic, figurative work as well as his cartographic works. Giulio is more broadly known for a small but sought-after selection of decorative engravings; no more than twelve of these can be attributed confidently to him, including the monumental Apollo and Marsyas, measuring over 1.30 meters wide. Whilst Sanuto's engravings were generally based upon the designs of other artists, his work was both ambitious and grand, and he often signed these works. Learn More...

Source


Ruscelli, G., La Geografia di Claudio Tolomeo Alessandrino…, (Venice: Giordano Ziletti) 1574.     Beginning in 1561, Girolamo Ruscelli published this important, expanded edition of Giacomo Gastaldi's 1548 Ptolemy. Its maps, engraved in Venice by Giulio Sanuto, were in the main based directly upon those in Gastaldi's 1548 work. The maps were larger format than Gastaldi's, however, and Sanuto's engraving was far clearer and more legible than those appearing in the 1548 work. There are some important additions that distinguish Ruscell's Ptolemy from Gastaldi's. Ruscelli's work contained a map of the habitable world according to Ptolemy, which the Gastaldi lacked; also, the double-hemisphere map appearing in the Ruscelli was new and did not appear in the Gastaldi. Ruscelli's modern map of England was based on the work of George Lily, rather than the Waldseemüller-derived map appearing in the Gastaldi; the Ruscelli is the earliest generally acquirable map of England based on knowledge from someone who lived there. In a fateful innovation, Ruscelli's work included Septentrionalium partium nova tabula,the first copy of Nicolo Zeno's 1558 fraud Carta da Navegar, which introduced a novel mapping of the north parts of the world, including the phantom islands of Frisland, Icaria, Drogeo and Estotiland. Had Ruscelli not copied the Zeno - which had a narrow, brief publication - this preposterous geography would have probably not taken hold. Its inclusion in Ruscelli's beautiful, authoritative and popular work would lead to the adoption of the Zeno map by Mercator, Ortelius, Plancius and their successors, baffling scholars for centuries. Ruscelli's Ptolemy had a long publication history, cementing the influence of the work. It appeared both in Italian and Latin editions, all printed in Venice, throughout the latter 16th century:
  • 1561 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Vincenzo Valgrisi.
    • 1562 Geographia Cl. Ptolemaei Alexandrini, Latin. Venice, Vincenzo Valgrisi.
      • 1564 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Giordano Ziletti.
        • 1564 Geographia Cl. Ptolemaei Alexandrini, Latin. Venice, Giordano Ziletti.
        Maps from the above four editions are distinguishable from later issues by their platemarks, which run off the top of the sheet. (The maps were engraved two-to-a-plate head-to-head, and printed simultaneously. Some exam[ples of the uncut sheets have survived.) There is some evidence that, during the course of the publication of the 1564 Latin edition, Ziletti had begun to divide the plates. The map of the ancient world in the above editions was based on Ptolemy's second, curvilinear projection; the Zeno map appears in its first plate.
        • 1574 La Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, Giordano Ziletti.
        • 1598 Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, heirs of Melchoir Sessa.
        • 1599 Geographia di Claudio Tolomeo Alessandrino, Italian. Venice, heirs of Melchoir Sessa.
        By 1574, all of the paired plates had been divided. The Ptolemaic world map is newly engraved, utilizing Ptolemy's first, trapezoidal projection. The Zeno map has also been replaced with a new copperplate engraving. Both the 1598 and 1599 Sessa editions can be distinguished from earlier editions by the presence of letterpress text in the upper border of the map sheets, and the addition of decorative engraving on many of the maps. We thank Eliane Dotson for accompanying us on this particular rabbit hole.

Condition


Excellent. Some toning to centerfold, else fine with generous margins and a bold strike.

References


OCLC 633336882. Rumsey 11311.077 (1561).