1853 Presdee and Edwards Wall Map of Ludlow, Vermont (Okemo Mountain)

LudlowVermontOkemo-presdeeedwards-1853
$4,100.00
Map of the Village of Ludlow, Windsor Co. Vt. - Main View
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1853 Presdee and Edwards Wall Map of Ludlow, Vermont (Okemo Mountain)

LudlowVermontOkemo-presdeeedwards-1853

Home of Okemo Mountain.
$4,100.00

Title


Map of the Village of Ludlow, Windsor Co. Vt.
  1853 (dated)     25.25 x 34 in (64.135 x 86.36 cm)

Description


This is a rare 1853 Presdee and Edwards wall map of Ludlow, Vermont, home of Okemo Mountain, of New England's largest and most beloved ski resorts. When this map was issued, Ludlow was primarily an agricultural hub, but benefited as a stop on the Rutland and Burlington Railroad, leading it to develop a small but robust mill culture.
Okemo Mountain
Ludlow's Okemo Mountain is one of Vermont's most celebrated ski resorts. Originally a small local ski hill, identified here as 'West Hill' just west of town, it officially opened as Okemo Mountain Ski Area in 1956. Okemo is derived from an Abenaki word meaning 'all come home' or 'pleasant place', reflecting the mountain's welcoming nature.  In its early years, Okemo operated with just a few trails and rope tows but quickly expanded as skiing grew in popularity. Throughout the late 20th century, Okemo became known for its family-friendly atmosphere, well-groomed trails, and modern lift systems. Major expansions in the 1980s and 1990s transformed it into one of Vermont's premier ski destinations. In 2018, Vail Resorts purchased Okemo, integrating it into its Epic Pass network, further solidifying its reputation as a top-tier, year-round mountain resort.
Publication History and Census
This map was engraved and printed in New York in 1853 by Sarony and Major. It was published by Presdee and Edwards, who claim to have been civil engineers but were more likely just businessmen. It is rare, this being the only known example.

CartographerS


Presdee and Edwards (fl. c. 1852 – 1855) were map publishers based in New York City.  It is not 100% clear who they were, but 'Presdee' was likely Joseph B. Presdee, and 'Edwards' was likely  Alfred L. Edwards. As far as we can ascertain, neither were civil engineers, despite the advertising on their maps. Based on their address at 71 Wall Street, we can positively associate them with an insurance agency active at this time. It is likely that through insurance circles, they had access to early manuscript city surveys that they hired Sarony and Major to convert into wall maps. As it may be, they published separately issued city plans, most in wall map format, of New England cities from about 1852 - 1855. Most of the groundwork and promotion of the maps seems to have fallen on Presdee, who typically briefly took residence in the subject towns. While there is no complete census of their work, at least 20 maps are confirmed to have been issued, including four towns in New Hampshire, thirteen in Vermont, and one in Maine. Like most local separate-issue mapmakers of the period, they published on subscription, requiring about 200 maps to be ordered in advance before production commenced. Most of their maps were engraved and printed in New York by Sarony and Major. Today, all are rare and significant, often being the earliest large format plans of their subject matter published. More by this mapmaker...


Napoleon Sarony (March 9, 1821 - November 9, 1896) was a dashingly handsome Canadian-American lithographer and publisher active in New York in the mid to late 19th century. Sarony was born in Quebec and emigrated to New York City in 1835. He apprenticed under Henry Robinson (fl. 1830/33 - 1850) before working as a lithograph artist for Nathaniel Currier (1813 - 1888). In 1846, he partnered with Currier's apprentice lithographer Henry B. Major to establish the firm of 'Sarony and Major.' From offices at 117 Futon Street, they published under this imprint until roughly 1853, when Sarony split off on his own under the imprint 'Sarony and Co.', still at 117 Fulton. At the time 'and Co.' probably meant Joseph Fairchild Knapp (1832 - 1891), Sarony's apprentice, and Richard C. Major, possibly Henry Major's son. In 1857, a new imprint was established as 'Sarony, Major and Knapp'. According to an advertisement in the New York Times (Feb 16, 1864), Sarony had invested in the business at founding, but was not an active partner, possibly because he was traveling in Europe. It is unclear why Sarony's name was maintained, possibly to capitalize on his fame, as a honorific, or possibly because he owned a major stake. They published under this imprint until 1863, becoming a major concern at 449 Broadway. Sarony's name was formally removed from the partnership in 1863. At the time he was traveling in Europe, mastering the most advanced color lithography and photographic techniques. He is known to have worked in France, Germany, and England. He returned to New York in the 1860s, establishing a photography company at 37 Union Square that became famous for its portraits of late-19th-century American theater icons. In 1891, Sarony, hoping to capitalize on Sarah Bernhardt's fame as 'Cleopatra', paid the stage actress 1,500 USD to sit for a photo session, the modern-day equivalent of 20,000 USD - suggesting a highly prosperous business. His son, Otto Sarony (1850–1903), continued the family business as a theater and film star photographer. As an aside, Sarony's second wife, Louie Sarony, was a known eccentric who would reportedly dress in elaborate rented costumes to walk around Washington Square each afternoon. Learn More...


Henry Broughman Major (February 17, 1820 - August 28, 1887) was an American lithographer based in New York in the middle to late 19th century. Major was born in Frome, England and emigrated to the United States in 1834. He apprenticed under Nathaniel Currier (1813 - 1888), befriending Currier lithographer Napoleon Sarony (1821 - 1896). Major worked briefly on his own, or perhaps with his cousin James Parsons Major, from 1845 - 1846 at 10 Watts Street. In 1846 he joined Sarony to found 'Sarony and Major', based at 117 Fulton Street, New York. Henry Major left the firm in 1853 for unknown reasons. At this time, a relative, possibly his son, Richard C. Major, continued to work with Sarony and Joseph Fairchild Knapp (1832 - 1891), creating the firm 'Sarony, Major and Knapp' (1857 - 1863). Learn More...

Condition


Good. Full restoration. Fresh edging and backing.