This is the 1962 Bollmann axonometric map of midtown Manhattan, in its 1963 issue. This distinctive view presents the heart of New York City at the stylistic peak of the skyscraper era: over half of the world's skyscrapers standing at the time appear within the bounds of this view.
Making of the Map
Bollmann created an image of great apparent precision by employing subtle distortion and exaggeration to emphasize scale and clarity. The entire work was first drawn by hand, its preparation boasting the use of over 67,000 photographs, 17,000 of which were aerial. Bollmann widened the streets to keep the image uncluttered; his view dispenses with perspective to maintain a uniform scale for all the buildings and allow comparison of size. The result captures this mighty concentration of towers, presenting each with its uniquely recognizable profile: the iconic Empire State Building, the graceful Art Deco curves of the Chrysler building, the sleek blade of the United Nations, and the ultra-modern helicopter pad of the Pan Am building. The verso of the map is a detailed subway map of the five boroughs; the map is easily distinguishable from the 1964 edition by the naming of the New York International Airport Idlewild Terminal: the 1964 edition reflects its change to 'John F. Kennedy International Airport'. In addition, this 1963 edition of the map lacks the American Airlines ticket offices noted on the 1964 edition. The 1964 edition also includes an additional ocean liner in the Hudson, the Queen of Bermuda, lacking here.Publication History
Bollmann printed the first edition of this view in Germany in 1962. This is the first of two American editions, printed to promote the New York World's Fair In 1963. In addition to the changes noted above, there are significant typographical differences between this and the German-printed American editions of the map, which was executed using a different stone. Both of the New York-printed editions employ a brighter palette than the 1962 German edition. A further printing of this view, printed on one side in a smaller format and lacking a guidebook, was issued in the 1980s. Examples of these, in various editions, are represented in institutional collections with varying degrees of precision in cataloging.
Cartographer
Herman Bollmann (1911 - 19??) was a German cartographer and map maker active from roughly 1940 to 1970. Prior to World War II, Bollmann was a well-known woodcarver and engraver based in Braunschweig, Germany. Following the war Bollmann developed a reputation as a printer of unique three dimensional maps. Working over a period of 25 years, Bollmann established a reputation as an artistic cartographer, producing over 39 unique projections of various cities in Europe and America. Bollmann revived the 19th century cartographic technique known as Vogelschaukarten, a way of making three dimensional axonometric projections. Bollmann and his team relied heavily on aerial cartography to compose distinctive cartographic masterpieces that are coveted by collectors all over the world. More by this mapmaker...
Good. Mended wear at junctures of folds, with some areas of scuffing.
Rumsey 8532.000. Augustyn, R. T., Cohen, P., Manhattan in Maps 1527 - 1995, 152 - 153.