Digital Image: 1635 Blaeu Map of Virginia and the Chesapeake (Hondius / Smith)

NovaVirginiaeTabula-blaeu-1635-2_d
Nova Virginiae Tabula. - Main View
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Digital Image: 1635 Blaeu Map of Virginia and the Chesapeake (Hondius / Smith)

NovaVirginiaeTabula-blaeu-1635-2_d

This is a downloadable product.
  • Nova Virginiae Tabula.
  • Added: Wed, 26 Mar 2025 11:03:00
  • Original Document Scale: 1 : 1680000
'One of the most important maps of America ever produced.' -Burden
$50.00

Title


Nova Virginiae Tabula.
  1635 (undated)     15.5 x 19.5 in (39.37 x 49.53 cm)     1 : 1680000

Description


FOR THE ORIGINAL ANTIQUE MAP, WITH HISTORICAL ANALYSIS, CLICK HERE.

Digital Map Information

Geographicus maintains an archive of high-resolution rare map scans. We scan our maps at 300 DPI or higher, with newer images being 600 DPI, (either TIFF or JPEG, depending on when the scan was done) which is most cases in suitable for enlargement and printing.

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You can use your digial image any way you want! Our digital images are unrestricted by copyright and can be used, modified, and published freely. The textual description that accompanies the original antique map is not included in the sale of digital images and remains protected by copyright. That said, we put significant care and effort into scanning and editing these maps, and we’d appreciate a credit when possible. Should you wish to credit us, please use the following credit line:

Courtesy of Geographicus Rare Antique Maps (http://www.geographicus.com).

How Large Can I Print?

In general, at 300 DPI, you should at least be able to double the size of the actual image, more so with our 600 DPI images. So, if the original was 10 x 12 inches, you can print at 20 x 24 inches, without quality loss. If your display requirements can accommodate some loss in image quality, you can make it even larger. That being said, no quality of scan will allow you to blow up at 10 x 12 inch map to wall size without significant quality loss. For more information, it is best consult a printer or reprographics specialist.

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If the high resolution image you ordered is unavailable, we will fully refund your purchase. Otherwise, digital images scans are a service, not a tangible product, and cannot be returned or refunded once the download link is used.

Cartographer S


Willem Janszoon Blaeu (1571 - October 18, 1638), also known as Guillaume Blaeu and Guiljelmus Janssonius Caesius, was a Dutch cartographer, globemaker, and astronomer active in Amsterdam during the late 16th and early 17th centuries. Blaeu was born 'Willem Janszoon' in Alkmaar, North Holland to a prosperous herring packing and trading family of Dutch Reformist faith. As a young man, he was sent to Amsterdam to apprentice in the family business, but he found the herring trade dull and instead worked for his cousin 'Hooft' as a carpenter and clerk. In 1595, he traveled to the small Swedish island of Hven to study astronomy under the Danish Enlightenment polymath Tycho Brahe. For six months he studied astronomy, cartography, instrument making, globe making, and geodesy. He returned to Alkmaar in 1596 to marry and for the birth of his first son, Johannes (Joan) Blaeu (1596 – 1673). Shortly thereafter, in 1598 or 1599, he relocated his family to Amsterdam where he founded the a firm as globe and instrument makers. Many of his earliest imprints, from roughly form 1599 - 1633, bear the imprint 'Guiljelmus Janssonius Caesius' or simply 'G: Jansonius'. In 1613, Johannes Janssonius, also a mapmaker, married Elizabeth Hondius, the daughter of Willem's primary competitor Jodocus Hondius the Elder, and moved to the same neighborhood. This led to considerable confusion and may have spurred Willam Janszoon to adopt the 'Blaeu' patronym. All maps after 1633 bear the Guiljelmus Blaeu imprint. Around this time, he also began issuing separate issue nautical charts and wall maps – which as we see from Vermeer's paintings were popular with Dutch merchants as decorative items – and invented the Dutch Printing Press. As a non-Calvinist Blaeu was a persona non grata to the ruling elite and so he partnered with Hessel Gerritsz to develop his business. In 1619, Blaeu arranged for Gerritsz to be appointed official cartographer to the VOC, an extremely lucrative position that that, in the slightly more liberal environment of the 1630s, he managed to see passed to his eldest son, Johannes. In 1633, he was also appointed official cartographer of the Dutch Republic. Blaeu's most significant work is his 1635 publication of the Theatrum orbis terrarum, sive, Atlas Novus, one of the greatest atlases of all time. He died three years later, in 1638, passing the Blaeu firm on to his two sons, Cornelius (1616 - 1648) and Johannes Blaeu (September 23, 1596 - December 21, 1673). Under his sons, the firm continued to prosper until the 1672 Great Fire of Amsterdam destroyed their offices and most of their printing plates. Willem's most enduring legacy was most likely the VOC contract, which ultimately passed to Johannes' son, Johannes II, who held the position until 1617. As a hobbyist astronomer, Blaeu discovered the star now known as P. Cygni. More by this mapmaker...


Jodocus Hondius (October, 14 1563 - February 12, 1612) was an important Dutch cartographer active in the late 16th and early 17th centuries. His common name, Jodocus Hondius is actually a Latinized version of his Dutch name, Joost de Hondt. He is also sometimes referred to as Jodocus Hondius the Elder to distinguish him from his sons. Hondius was a Flemish artist, engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. Hondius was born and raised in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. During his stay in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the cove of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593, Hondius returned to Amsterdam, where he remained until the end of his life. In 1604, he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival atlas, Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself produced. Despite the addition of his own contributions, Hondius recognizing the prestige of Mercator's name, gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator revived the great cartographer's reputation and was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version called the Atlas Minor. The maps have since become known as the "Mercator/Hondius series". Between 1605 and 1610 Hondius was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Following Hondius' death in 1612, his publishing work in Amsterdam was continued by his widow and two sons, Jodocus II and Henricus. Later his family formed a partnership with Jan Jansson, whose name appears on the Atlasas co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the 'Mercator/Hondius/Jansson' series because of Jansson's later contributions. Hondius' is also credited with a number of important cartographic innovations including the introduction of decorative map borders and contributions to the evolution of 17th century Dutch wall maps. The work of Hondius was essential to the establishment Amsterdam as the center of cartography in Europe in the 17th century. Learn More...


Captain John Smith (1580 - 1631) was an English soldier, explorer, colonial governor, Admiral of New England, author, and self-promoter. He was pivotal in the establishment of the first permanent English settlement in America (Jamestown, Virginia) and was the first Englishman to map the Chesapeake Bay, and the coast of New England. His maps of these areas, especially his mapping of the Chesapeake, were broadly influential: there are few maps of Virginia that were produced in the 17th century that do not derive from his work. His books describing the Virginia Colony were themselves important in encouraging further settlement.

Smith was born to a farming family in Lincolnshire; after his father's death, he began his military career as a mercenary, fighting with the French at war with Spain. He was intermittently a merchant and a pirate in the Mediterranean, where his travels brought him into the fight against the Ottoman Turks. He fought for the Austrian Habsburgs in Hungary, and fought for Radu Șerban in Wallachia against Ottoman vassal Ieremia Movilă. His coat of arms - featuring three Turkish heads - was itself a gruesome memento of Smith's reputedly killing and beheading of three Ottoman challengers in single-combat duels. His fortunes turned in 1602, which saw him captured and enslaved by the Crimean Tatars, captured, and sold as a slave - a condition which apparently lasted only long enough for him to escape to Muscovy, thence to take the scenic route back to England in 1604.

In 1606, Smith was sent as one of the leaders of London's Virginia Company's effort to colonize Virginia. Over the course of the next year, as some sixty percent of the settlers died of starvation and disease, Smith explored Chesapeake Bay and its vicinity, producing his seminal, wildly influential map which would be eagerly copied by mapmakers throughout the next century. Preserved on this map was also a body of water, reported to Smith by Native Americans, which he believed to be either a massive lake, or the Sea of Verrazano - in short, the Pacific. He was forced to return to England in 1609 following his injury in a gunpowder explosion in his canoe. While in England, Smith passed on a tip on this possible Pacific passage to Henry Hudson, who would gain no joy of it.

Smith did not return to Virginia. He did, however, return to America, exploring the coast of New England in 1614. (This name was his own; Smith's New England would be the first map to employ that appellation.) Smith's 1614 journey was meant to capture whales for their oil, and to find gold or copper mines. Failing these, they found instead fish and furs. It is also very likely that in his exploration of the northeastern coast, Smith was the same Sea of Verrazano that so tantalized Hudson.

A difficulty with Smith's biography is that so much of it relies entirely on his own report: and Smith does not at all appear to have been a modest man. Learn More...

Source


Blaeu, W., Théâtre du Monde ou Nouvel Atlas, (Amsterdam: Blaeu) 1635.     The classic Dutch atlas, whose publication ushered in the Dutch golden age of cartography. Willem Jansz Blaeu had been, since 1604, producing engraved maps for sale; these were separate issues (and all consequently extremely rare) until the publishing of Blaeu's Appendix in 1630 and 1631, which also included a number of maps purchased from the widow of Jodocus Hondius, (for example his famous iteration of John Smith's map of Virginia.) In 1634, he announced his intention to produce a new world atlas in two volumes, entitled Theatrum Orbis Terrarum, sive Atlas Novus (Théâtre du Monde ou Nouvel Atlas) (in an effort to invoke the successful work of the same title produced by Ortelius the previous century, while reinforcing the notion of it being a new work.) This work was published first in German in 1634, followed by Latin, Dutch and French editions in 1635. Blaeu's maps have always been noted for the quality of their paper, engraving and fine coloring, and this was the intent from the very start. The 1634 announcement of the upcoming work described it: 'All editions on very fine paper, completely renewed with newly engraved copperplates and new, comprehensive descriptions.' (van der Krogt, p,43) Many of the most beautiful and desirable maps available to the modern collector were printed and bound in Blaeu's atlases. Willem's son, Joan, would go on to add further volumes to the Atlas Novus, concurrently printing new editions of the first two volumes with additional maps, in effect making these new editions an entirely new book. Under Joan there would be nine Latin editions, twelve French, at least seven Dutch, and two German. This exceedingly successful work would be the mainstay of the Blaeu firm until 1661, at which point the work was supplanted by Joan Blaeu's masterwork Atlas Maior in 1662.