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1939 Alajalov Allegorical Pictorial Map of Presidency of Franklin D. Roosevelt

OdysseyFDR-alajalov-1939
$175.00
The Odyssey of F.D.R. - Main View
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1939 Alajalov Allegorical Pictorial Map of Presidency of Franklin D. Roosevelt

OdysseyFDR-alajalov-1939

Issued during the election of 1940 wherein Roosevelt won an unprecedented 3rd term.

Title


The Odyssey of F.D.R.
  1939 (undated)     14 x 22.25 in (35.56 x 56.515 cm)

Description


This 1939 Constantin Alajálov allegorical pictorial map chronicles the Presidency of Franklin Delano Roosevelt not as 'a history, but a free-wheeling trip through the headlines of the last seven years.' It must be noted that all these headlines fall largely on the negative side, probably because Henry Luce, the publisher of Fortune Magazine, was a harsh critic of Roosevelt, even stating after F.D.R.'s death that it was his 'duty to go on hating him'.
Tracing the Odyssey of F.D.R.
Beginning with a Republican elephant that has died of thirst, F.D.R. is inaugurated to cheers of 'happy days are here again'. Soon, the banks go on holiday, F.D.R. gives his first fireside chat, and prohibition is repealed. From there comes another stock market crash and a plethora of alphabet agencies, in the form of medications prescribed by F.D.R. to an ailing Uncle Sam. The next highlight on this 'free-wheeling trip' is the fiery disaster that was the U.S. Army delivering airmail. Then comes Dr. Townsend and his proposal for an old-age pension, which in fact leads to the Roosevelt administration's proposal of Social Security later in the trip. Per this mad voyage, the next year focuses on F.D.R's reelection campaign, complete with a resuscitated Republican elephant, hobbling along with the help of a crutch. This poor elephant, again, ends up dead along the side of the road soon after, as Roosevelt is elected to a second term. Then another stock market crash occurs (supposedly created by F.D.R.) and is swiftly followed by the confirmation of a former Ku Klux Klan member to the Supreme court, and yet another recession. Nearing the final bend in this winding road, F.D.R. begins fighting with Democrats in Congress, even going so far as to try to purge members from the Party, illustrated here by a bottle of medicine (read: poison) he offers to the Donkey, which then kicks it back at him. The journey nears its end with references to large spending proposals for the Army, Navy, and Air Corps, along with a field full of planes for England and France. F.D.R. is also shown 'tsking' caricatures of Hitler and Mussolini. The journey ends with a blindfolded Uncle Sam walking into a dense fog after having passed a sphinx with F.D.R.'s head.
Publication History and Census
This incredible piece was created by Constantin Alajálov and published in the October 1939 issue of Fortune Magazine. An example is part of the P.J. Mode collection at Cornell University.

Cartographer


Constantin Alajálov (November 18, 1900 - October 23, 1987) was an Armenian-American illustrator and painter. Born in Rostov-on-Don, Russia, Alajálov was sixteen and a student at the University of Petrograd when the Red Revolution began. Unable to stay in Petrograd, he was drafted into a government organized group of artists that traveled the country painting propaganda murals and posters for the revolution. In 1920 he escaped to Rasht, Persia, and found employment working for a khan. This respite didn't last long, as the khan for whom he was working was assassinated by his successor, forcing Alajálov to again seek refuge abroad, this time in Constantinople. He spent two years in Constantinople, living in abject poverty, before finally saving the necessary $100 to emigrate to the United States. Upon his arrival in New York, he unexpectedly ran into an old friend, who was Isadora Duncan's secretary. Alajálov used this contact to network within the Russian community in New York. These contacts soon led to his first job as an artist in the city: painting the interior of Russian countess Anna Zarenkau's popular nightclub the Bi-Ba-Bo Club. His submission for a cover of The New Yorker was accepted three years later and appeared on the September 25, 1926 issue. He soon signed an exclusive contract with The New Yorker, and also taught at the Phoenix Art Institute and Alexandre Archipenko's Ecole d'Art. Alajálov soon made a fantastic reputation for himself in the commercial illustration industry, creating work for Fortune, Life, Vanity Fair, The Saturday Evening Post, and many other publications. Over the course of his career he created more than seventy covers for >The New Yorker. His work was so incredible that he managed to overcome the traditional exclusivity rivalry between The New Yorker and The Saturday Evening Post More by this mapmaker...

Source


Fortune Magazine. October 1939 , pp 74-75.    

Condition


Very good. Two sheets, joined at center. Text on verso.

References


Persuasive Maps: PJ Mode Collection, 1277.01.