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1789 De Wailly Map of Cité Quarter, Paris w/ Manuscript Proposal to unite Seine Islands
ParisCite-wailly-1789L’Académie étant assemblée, M. De Wailly a présenté un plan de la réunion du quartier de la Cité aux îles Saint Louis et Louvier : ce projet, déjà approuvé par l’Académie des sciences et reconnu par elle très utile, présente celui d’une grande place érigée à la gloire de Louis XVI sur des voûtes qui couvriroient la rivière de Seine entre le Pont au Change et le Pont Notre Dame. L’Académie, qui a suspendu ses réflexions sur l’utilité entière de ce projet, n’a pu qu’applaudir à la grandeur de l’idée et aux études faites par l’académicien pour prouver la possibilité de son exécution.De Wailly's plans for Paris were publically presented at the 1789 Salon and appeared in the Livret du Salon de Louvre de 1789 (nos. 56-57). They were received with great fanfare, but their timing could have been better. As they were being exhibited, the French Revolution (1789 - 1799) broke out with the July 14 Storming of the Bastille. While the National Assembly and the King maintained a tentative truce for a time, the appetite for grand, royally sanctioned urban renewal projects dimmed considerably. Despite the Revolutionary fervor taking the country, De Wailly did not give up. In 1791, an anomyme plan was presented to the Paris Commune to unite the islands on a very similar model … a coincidence? Ultimately, Paris did not see its much-needed modernization until Napoleon III sponsored the Haussmann Renovations in the mid-19th century.
[The Academy being assembled, Mr. De Wailly presented a plan for the unification of the Cité district with the Saint Louis and Louvier islands: this project, already approved by the Academy of Sciences and recognized by it as very useful, presents the idea of a large square erected to the glory of Louis XVI on vaults that would cover the Seine River between the Pont au Change and the Pont Notre Dame. The Academy, which suspended its reflections on the overall usefulness of this project, could only applaud the grandeur of the idea and the studies carried out by the academician to prove the feasibility of its execution.]
Charles de Wailly (November 9, 1730 - November 2, 1798) was a French architect, civil engineer, and painter, known for his late 18th century neoclassical architecture in and around Paris. Born in Paris, he trained under leading architects of his time and became a member of the prestigious Académie Royale d'Architecture. De Wailly was a key figure in the neoclassical movement, influencing French architecture with a refined sense of proportion and classical form. His notable works include the Théâtre de l’Odéon and renovations of Château de Fontainebleau. He is less well known for his grandiose urban planning visions, likely because none of them came to fruition. De Wailly envisioned a sweeping transformation of the Parisian landscape intended not only to beautify Paris but also to optimize the efficiency of its urban space. His visions included the creation of wide new avenues, the construction of public squares, the erection of monuments, the expansion of housing, the unification of the city’s islands (Cité, Saint-Louis, and Louviers), and improvements to the flow of the Seine. These were presented and met with approval at the Salon of 1789, and may have gone forward, but De Wailly had terrible timing - the troubles later that year (the onset of the French Revolution) put an end to Louis XVI's royal investment in, well, anything. More by this mapmaker...
Alexis-Hubert Jaillot (c. 1632 - 1712) followed Nicholas Sanson (1600 - 1667) and his descendants in ushering in the great age of French Cartography in the late 17th and 18th century. The publishing center of the cartographic world gradually transitioned from Amsterdam to Paris following the disastrous inferno that destroyed the preeminent Blaeu firm in 1672. Hubert Jaillot was born in Franche-Comte and trained as a sculptor. When he married the daughter of the enlumineur de ala Reine, Nicholas Berey, he found himself positioned to inherit a lucrative map and print publishing firm. When Nicholas Sanson, the premier French cartographer of the day, died Jaillot negotiated with his heirs, particularly Guillaume Sanson (1633 - 1703), to republish much of Sanson's work. Though not a cartographer himself, Jaillot's access to the Sanson plates enabled him to publish numerous maps and atlases with only slight modifications and updates to the plates. As a sculptor and an artist, Jaillot's maps were particularly admired for their elaborate and meaningful allegorical cartouches and other decorative elements. Jaillot used his allegorical cartouche work to extol the virtues of the Sun King Louis IV, and his military and political triumphs. These earned him the patronage of the French crown who used his maps in the tutoring of the young Dauphin. In 1686 he was awarded the title of Geographe du Roi, bearing with it significant prestige and the yearly stipend of 600 Livres. Jaillot was one of the last French map makers to acquire this title. Louis XV, after taking the throne, replaced the position with the more prestigious and singular title of Premier Geographe du Roi. Jaillot died in Paris in 1712. His most important work was his 1693 Le Neptune Francois. Jalliot was succeed by his son, Bernard-Jean-Hyacinthe Jaillot (1673 - 1739), grandson, Bernard-Antoine Jaillot (???? – 1749) and the latter's brother-in-law, Jean Baptiste-Michel Renou de Chauvigné-Jaillot (1710 - 1780). Learn More...
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This copy is copyright protected.
Copyright © 2024 Geographicus Rare Antique Maps