This is a bright example of Jodocus Hondius' 1606 map of South America. The map extends from Central America and the West Indies to the speculative continent of Terra Australis just south of the Straits of Magellan.
Improving Southern Cartography
The present work exhibits considerable advancement over earlier depictions of South America, including fresh detail on the interior and a longitude correction of nearly 10%. Hondius identified the crypto-lakes Parima and Eupana, as discussed below, and attempted to map the complex Amazon River system. Despite postdating Drake's circumnavigation and proof that Tierra del Fuego was an island, the southernmost tip of South America is mapped as part of the mythical southern continent Terre Australis.El Dorado?
The prominent Lake Parima, situated in Guiana between the Orinoco and Amazon Rivers, is associated with the English adventurer Sir Walter Raleigh's search for El Dorado. Sailing up the Orinoco River, Raleigh encountered natives with gold. These river traders directed him to what they identified as a massive lake called Parima, which Raleigh subsequently identified as the legendary city of gold - despite never reaching the lake (one of his subcommanders claimed to have seen the lake, though not the city). Subsequent maps, including this one, mapped El Dorado and Lake Parima in this location for several hundred years. Lake Parima is likely the very real Lake Amaku on the Rupununu flood plain, which waxes and wanes dramatically as with the rainy season.Mythical Lake of La Plata
Another mythical lake, Eupana, appears further south, connecting the Rio de la Plata and the Paraguay River to the Amazon River and the R. Real, thus turning eastern Brazil into an island. Another case of a flood plain - the Pantanal - Eupana was identified on early maps as the Laguna de Xarayes, the source of the Paraguay River. Spanish and Portuguese explorers navigating the Paraguay River, also in search of El Dorado, encountered the Pantanal flood plain at the height of its annual inundation and thought it a gigantic inland sea, which they named after the local inhabitants, the Xaraies (Masters of the River).A Superb Engraving
The map exemplifies Hondius' decorative engraving. The strike is early and bold enough to preserve his characteristic hachure in the oceans. In the lower right, an elegant strapwork cartouche supports two seated muses, one bearing a globe and the other an armillary sphere. Balancing the cartouche on the left is an inset view of the Peruvian city of Cusco; the compositional element of the Peruvian royal procession suggests that the likely source of the view was the one appearing in the 1572 Braun and Hogenberg Civitates Orbis Terrarum.Publication History and Census
This map was engraved for the first 1606 Hondius edition of the Gerardi Mercatoris Atlas sive Cosmographicae. The present example conforms typographically to the 1613 Latin edition of the work; this specific edition of the map appears twice in institutional collections, but overall it is well represented.
Cartographer
Jodocus Hondius (October, 14 1563 - February 12, 1612) was an important Dutch cartographer active in the late 16th and early 17th centuries. His common name, Jodocus Hondius is actually a Latinized version of his Dutch name, Joost de Hondt. He is also sometimes referred to as Jodocus Hondius the Elder to distinguish him from his sons. Hondius was a Flemish artist, engraver, and cartographer. He is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. Hondius was born and raised in Ghent. In his early years he established himself as an engraver, instrument maker and globe maker. In 1584 he moved to London to escape religious difficulties in Flanders. During his stay in England, Hondius was instrumental in publicizing the work of Francis Drake, who had made a circumnavigation of the world in the late 1570s. In particular, in 1589 Hondius produced a now famous map of the cove of New Albion, where Drake briefly established a settlement on the west coast of North America. Hondius' map was based on journal and eyewitness accounts of the trip and has long fueled speculation about the precise location of Drake's landing, which has not yet been firmly established by historians. Hondius is also thought to be the artist of several well-known portraits of Drake that are now in the National Portrait Gallery in London. In 1593, Hondius returned to Amsterdam, where he remained until the end of his life. In 1604, he purchased the plates of Gerard Mercator's Atlas from Mercator's grandson. Mercator's work had languished in comparison to the rival atlas, Theatrum Orbis Terrarum by Ortelius. Hondius republished Mercator's work with 36 additional maps, including several which he himself produced. Despite the addition of his own contributions, Hondius recognizing the prestige of Mercator's name, gave Mercator full credit as the author of the work, listing himself as the publisher. Hondius' new edition of Mercator revived the great cartographer's reputation and was a great success, selling out after a year. Hondius later published a second edition, as well as a pocket version called the Atlas Minor. The maps have since become known as the "Mercator/Hondius series". Between 1605 and 1610 Hondius was employed by John Speed to engrave the plates for Speed's The Theatre of the Empire of Great Britaine. Following Hondius' death in 1612, his publishing work in Amsterdam was continued by his widow and two sons, Jodocus II and Henricus. Later his family formed a partnership with Jan Jansson, whose name appears on the Atlasas co-publisher after 1633. Eventually, starting with the first 1606 edition in Latin, about 50 editions of the Atlas were released in the main European languages. In the Islamic world, the atlas was partially translated by the Turkish scholar Katip Çelebi. The series is sometimes called the 'Mercator/Hondius/Jansson' series because of Jansson's later contributions. Hondius' is also credited with a number of important cartographic innovations including the introduction of decorative map borders and contributions to the evolution of 17th century Dutch wall maps. The work of Hondius was essential to the establishment Amsterdam as the center of cartography in Europe in the 17th century. More by this mapmaker...
Source
Hondius, J., Atlas, Editio Quarta, (Amsterdam: Hondius) 1613.
Mercator's Atlas is one of the most important works in the history of cartography. Although in fact Ortelius was the first to publish a proper atlas, the Teatrum Orbis Terrarum, Mercator's work the first book to employ the term Atlas for a collection of maps. The term is derived both from the mythical titan, Atlas, who was forced to bear the world upon his shoulders, and the Libyan king, philosopher, and astronomer of the same name that, so the legend goes, constructed the first globe. Mercator dedicated the final 25 years of his life to compile the Atlas. He published two parts during his lifetime in 1585 and 1589, but the final part published posthumously by his son Rumold Mercator, in 1595. The map plates for the Atlas were later acquired by Jodocus Hondius who published the most complete and well known edition in 1606. It was Jodocus who popularized the Atlas and who did the most to elevate Gerard Mercator's name.
Good. Mended centerfold split, marginal mends with some reinstatement but no loss of image. Else an attractive example with a bold strike.
OCLC 635052219. Rumsey 10534.363 (1628) Van der Krogt, P. C. J., Koeman's Atlantes Neerlandici, (Vol 1), 9800:1A.