1845 Currier View of the Crash of the Steamboat Swallow

SteamboatSwallow-currier-1845
$350.00
Loss of the steamboat Swallow while on her trip, from Albany to New-York : on Monday evening April 7th 1845... - Main View
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1845 Currier View of the Crash of the Steamboat Swallow

SteamboatSwallow-currier-1845

One of the Hudson River's Greatest Disasters.
$350.00

Title


Loss of the steamboat Swallow while on her trip, from Albany to New-York : on Monday evening April 7th 1845...
  1845 (dated)     10 x 14 in (25.4 x 35.56 cm)

Description


A dramatic lithograph by Nathaniel Currier depicting the April 7, 1845, sinking of the steamboat Swallow. The event was among the costliest steamboat crashes of the era and led a variety of publishers, including Currier, to employ the developing technology of lithographic printing to depict the dramatic event in stunning detail.
A Closer Look
The view illustrates the steamboat Swallow after having crashed at full speed into a rocky outcropping near Athens, New York, on the Hudson River, roughly halfway between Poughkeepsie and Albany. The ship hit the rocks with such momentum that it was driven some 30 feet up onto the rocks before breaking in half and catching fire. Two nearby steamboats, the Express (seen in the background at right) and Rochester, which were likely racing with the Swallow, and a variety of smaller vessels were able to rescue some 200 passengers from the ill-fated ship, but as the text here indicates, several dozen people lost their lives.

Though steamboat crashes (often due to racing) were distressingly common at the time, this disaster was something of a media sensation, in part because of its proximity to New York City and the publishers based there.
Publication History and Census
This view was published by Nathaniel Currier in New York City in 1845, before his well-known partnership with James Merritt Ives. It is held by the American Antiquarian Society, Library of Congress, and National Gallery of Art, and is scarce to the market.

Cartographer


Nathaniel Currier (March 27, 1813 - November 20, 1888) was an American lithographer best known as part of 'Currier and Ives'. Born in Roxbury, Massachusetts, Currier attended public schools until fifteen, when he apprenticed with the Boston lithographic firm of William and John Pendleton. The Pendletons were the first successful lithographers in the United States and were responsible for educating the next generation of lithographic printers. In 1833, Currier left the Pendleton's shop to work with M.E.D. Brown in Philadelphia. A year later, Currier moved to New York City, where he planned to start a business with John Pendleton. When Pendleton backed out, Currier found a new partner, founding 'Currier and Stodart', but the concern survived for just a year. Currier opened his own lithographic studio in 1835 as an eponymous sole-proprietorship. He initially printed the standard materials, including letterheads, sheet music, and handbills. Later in 1835, Currier began issuing current event imagery. Some of his news printers were issued in the New York Sun. By 1840, Currier had moved away from 'job printing' and further toward fine-print publishing. His Awful Conflagration of the Steam Boat 'Lexington', was published in the Sun that year, as well as being separately issued. James Ives (March 5, 1824 - January 3, 1895) began working under Currier in 1850 as a bookkeeper. Ives contributed greatly to the growth of the business, particularly as a manager, marketer, and businessman. Ives became a full partner in 1857, and the firm was renamed 'Currier and Ives'. Currier and Ives produced over 7,500 images and is best remembered for its popular art prints, particularly Christmas scenes and landscapes. They also produced banners, illustrations of current events, views, and historical scenes. Currier retired in 1880 and turned the business over to his son Edward. Currier married Eliza West Farnsworth in 1840, with whom he had one child Edward West Currier. Eliza died in 1843. Currier remarried to Lura Ormsbee in 1847. Other than being a lithographer, Currier also served as a volunteer New York City fireman during the 1850s, and he liked fast horses. More by this mapmaker...

Condition


Very good. Minor tear top left. Slight foxing. Some mat burn.

References


OCLC 950901145.