1870 Currier and Ives View of the American West - Rare Presentation Variant

TheGreatWest-currierives-1870
$650.00
Presented by Dr. S. Vanmeter and Co. of Charleston, Illinois Infirmary. The Great West. - Main View
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1870 Currier and Ives View of the American West - Rare Presentation Variant

TheGreatWest-currierives-1870

Romance of the West.
$650.00

Title


Presented by Dr. S. Vanmeter and Co. of Charleston, Illinois Infirmary. The Great West.
  1870 (dated)     9.25 x 13 in (23.495 x 33.02 cm)

Description


This is a rare presentation variant of Currier and Ives' 1870 lithograph view, 'The Great West.' Like many Currier and Ives prints, the image capitalizes on the American fascination with the dramatic scenery and potential of Westward Expansion. The present example represents a curious variant presented by Dr. S. VanMeter of Charleston of the Illinois Infirmary.
A Closer Look
The view looks on a green valley set against the backdrop of dramatic mountains, which can only be the Rocky Mountains. A four-car passenger train exits the valley and the small town, which is nestled at the base of the mountains. Rocky cliffs and pine trees occupy the foreground.
Samuel VanMeter
Samuel VanMeter was a homesteader whose family settled in Illinois when he was a child. VanMeter became a doctor and founded a hospital in Charleston, Illinois, known as the 'Infirmary'. He also published VanMeter's Journal of Health. Sometime in the 1870s, he commissioned a general run of small-format Currier and Ives prints bearing the dedication 'Presented by Dr. S. Vanmeter and Co. of Charleston Illinois, Infirmary.' Although otherwise similar to the standard prints, variants with the VanMeter dedication are much rarer.
Publication History and Census
This print was engraved and published by Currier and Ives in 1870. It appears on the market from time to time, but we see no other examples of the VanMeter variant.

CartographerS


Nathaniel Currier (March 27, 1813 - November 20, 1888) was an American lithographer best known as part of 'Currier and Ives'. Born in Roxbury, Massachusetts, Currier attended public schools until fifteen, when he apprenticed with the Boston lithographic firm of William and John Pendleton. The Pendletons were the first successful lithographers in the United States and were responsible for educating the next generation of lithographic printers. In 1833, Currier left the Pendleton's shop to work with M.E.D. Brown in Philadelphia. A year later, Currier moved to New York City, where he planned to start a business with John Pendleton. When Pendleton backed out, Currier found a new partner, founding 'Currier and Stodart', but the concern survived for just a year. Currier opened his own lithographic studio in 1835 as an eponymous sole-proprietorship. He initially printed the standard materials, including letterheads, sheet music, and handbills. Later in 1835, Currier began issuing current event imagery. Some of his news printers were issued in the New York Sun. By 1840, Currier had moved away from 'job printing' and further toward fine-print publishing. His Awful Conflagration of the Steam Boat 'Lexington', was published in the Sun that year, as well as being separately issued. James Ives (March 5, 1824 - January 3, 1895) began working under Currier in 1850 as a bookkeeper. Ives contributed greatly to the growth of the business, particularly as a manager, marketer, and businessman. Ives became a full partner in 1857, and the firm was renamed 'Currier and Ives'. Currier and Ives produced over 7,500 images and is best remembered for its popular art prints, particularly Christmas scenes and landscapes. They also produced banners, illustrations of current events, views, and historical scenes. Currier retired in 1880 and turned the business over to his son Edward. Currier married Eliza West Farnsworth in 1840, with whom he had one child Edward West Currier. Eliza died in 1843. Currier remarried to Lura Ormsbee in 1847. Other than being a lithographer, Currier also served as a volunteer New York City fireman during the 1850s, and he liked fast horses. More by this mapmaker...


James Merritt Ives (March 5, 1824 - January 3, 1895) was an American businessman, bookkeeper, and lithographer who oversaw the business side of the famed lithographic firm Currier and Ives. Born in New York City, Ives was a self-trained artist who began working at the age of twelve. He married Caroline Clark (1827 - 1896) on June 24, 1846, who was the sister-in-law of Nathaniel Currier's brother, Charles Currier. In 1852, Nathaniel Currier (March 27, 1813 - November 20, 1888) hired Ives as the bookkeeper for his firm N. Currier, Lithographer, on Charles's recommendation. Ives' talent for art and his knowledge of the artistic world soon became apparent to Currier, who valued his insights as well as the business acumen. Currier offered Ives a full partnership in 1857. They renamed the firm 'Currier and Ives' with Ives as the general manager. Ives began to play a role in selecting artists and prints to publish, and was responsible for pursuing publication of scenes of middle-class America that made the firm famous. After Ives died in 1895, his sons continued to work with Currier's son to manage the firm until it was liquidated in 1907. Learn More...

Condition


Fair. Lower right margin extended. Priced accordingly.

References


Springfield Museum, 2004.D03.218. Gale Research, Currier and Ives: a catalogue raisonné, #2879.