Eustache Hérisson (1759 – 1818) was a French cartographer and geographical engineer active in Paris during the early years of the 19th century. Hérisson was a student of the 18th century hydrography Rigobert Bonne. He was a member of the Société Royale. Much of his work was republished posthumously by Bassett, Brue, and others. More by this mapmaker...

Maison Basset (1819 - 1865) was a French publishing concern active through the mid to late 19th century. The firm can trace their roots to André Basset (or Bassett) (fl. 1768 - 1784), who starting publishing maps, prints, and books around 1768. Maison Basset, also Chez Basset, is the imprint under which the heirs of Paul-André Basset (1785 - 1819) operated after his death. From their offices at 64 Rue St. Jacques, then 33 Rue de Seine, Paris, France, Maison Basset published the works of such prominent French cartographers and engravers as Barbie du Bocage, A. Vuillemin, J. B. Charle, V. Levasseur, Tu. Duvotenay, H. Dufor, F. E. George, and others. Their library of publications is diverse and vast, but heavily focused on medical and scientific texts, including several important atlases. Learn More...

Rigobert Bonne (October 6, 1727 - September 2, 1794) was one of the most important French cartographers of the late 18th century. Bonne was born in Ardennes à Raucourt, France. He taught himself mathematics and by eighteen was a working engineer. During the War of the Austrian Succession (1740 - 1748) he served as a military engineer at Berg-op-Zoom. It the subsequent years Bonne became one of the most respected masters of mathematics, physics, and geography in Paris. In 1773, Bonne succeeded Jacques-Nicolas Bellin as Royal Cartographer to France in the office of the Hydrographer at the Depôt de la Marine. Working in his official capacity, Bonne compiled some of the most detailed and accurate maps of the period - most on an equal-area projection known erroneously as the 'Bonne Projection.' Bonne's work represents an important step in the evolution of the cartographic ideology away from the decorative work of the 17th and early 18th century towards a more scientific and practical aesthetic. While mostly focusing on coastal regions, the work of Bonne is highly regarded for its detail, historical importance, and overall aesthetic appeal. Bonne died of edema in 1794, but his son Charles-Marie Rigobert Bonne continued to publish his work well after his death. Learn More...