Digital Image: 1876 Yoshitora Ukiyo-e View of the Dai-Ichi National Bank Building, Tokyo

DaiIchiBank-yoshitora-1876_d
東京海運橋第一國立銀行の全圖并近圓の市中一覽の圖/ [Complete View of the First National Bank at the Tokyo Kaiun Bridge, with a View of the Nearby Cityscape]. - Main View
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Digital Image: 1876 Yoshitora Ukiyo-e View of the Dai-Ichi National Bank Building, Tokyo

DaiIchiBank-yoshitora-1876_d

This is a downloadable product.
  • 東京海運橋第一國立銀行の全圖并近圓の市中一覽の圖/ [Complete View of the First National Bank at the Tokyo Kaiun Bridge, with a View of the Nearby Cityscape].
  • Added: Wed, 26 Mar 2025 11:03:00
Origins of Modern Japan's Banking System.
$50.00

Title


東京海運橋第一國立銀行の全圖并近圓の市中一覽の圖/ [Complete View of the First National Bank at the Tokyo Kaiun Bridge, with a View of the Nearby Cityscape].
  1876 (dated)     14.75 x 30 in (37.465 x 76.2 cm)

Description


FOR THE ORIGINAL ANTIQUE MAP, WITH HISTORICAL ANALYSIS, CLICK HERE.

Digital Map Information

Geographicus maintains an archive of high-resolution rare map scans. We scan our maps at 300 DPI or higher, with newer images being 600 DPI, (either TIFF or JPEG, depending on when the scan was done) which is most cases in suitable for enlargement and printing.

Delivery

Once you purchase our digital scan service, you will receive a download link via email - usually within seconds. Digital orders are delivered as ZIP files, an industry standard file compression protocol that any computer should be able to unpack. Some of our files are very large, and can take some time to download. Most files are saved into your computer's 'Downloads' folder. All delivery is electronic. No physical product is shipped.

Credit and Scope of Use

You can use your digial image any way you want! Our digital images are unrestricted by copyright and can be used, modified, and published freely. The textual description that accompanies the original antique map is not included in the sale of digital images and remains protected by copyright. That said, we put significant care and effort into scanning and editing these maps, and we’d appreciate a credit when possible. Should you wish to credit us, please use the following credit line:

Courtesy of Geographicus Rare Antique Maps (http://www.geographicus.com).

How Large Can I Print?

In general, at 300 DPI, you should at least be able to double the size of the actual image, more so with our 600 DPI images. So, if the original was 10 x 12 inches, you can print at 20 x 24 inches, without quality loss. If your display requirements can accommodate some loss in image quality, you can make it even larger. That being said, no quality of scan will allow you to blow up at 10 x 12 inch map to wall size without significant quality loss. For more information, it is best consult a printer or reprographics specialist.

Refunds

If the high resolution image you ordered is unavailable, we will fully refund your purchase. Otherwise, digital images scans are a service, not a tangible product, and cannot be returned or refunded once the download link is used.

Cartographer S


Utagawa Yoshitora (歌川芳虎; fl. c. 1835 - 1882) was a member of the Utagawa school of woodblock artists of the late Edo and Meiji periods. Little is known about his early life aside from his being born in Edo (Tokyo). He was a student of Utagawa Kuniyoshi, with whom he later had a falling out, possibly due to his 1849 satirical, irreverent print of important figures from Japanese history. After briefly slipping past censors, the print became very popular but was immediately confiscated once authorities realized it could be interpreted as a thinly veiled critique of the Tokugawa (Yoshitora was arrested for fifty days as a result). Nevertheless, he continued to produce prints at an impressive rate, and, like his teacher, focused on prints depicting samurai, beautiful women, kabuki actors, and foreigners (Yokohama-e). His works were displayed at the 1867 Exposition Universel along with those of Sadahide, a member of another branch or lineage of the Utagawa school. Yoshitora was considered second only to Sadahide among nishiki-e artists around the time of the Meiji Restoration. The details of his death are unknown, but his last known work was published in 1882. More by this mapmaker...


Sawamuraya Seikichi (沢村屋清吉; c. 1855 - 1903), from 1876 known as Takekawa Seikichi (武川清吉 or 竹川清吉), was a late Edo - Meiji period printer and publisher of Ukiyo-e (nishiki-e) works, including those by leading artists of the day such as Kunisada II, Hiroshige III, Toyohara Kunichika, Kobayashi Kiyochika, and Kuniyoshi. The firm was based in Nihonbashi Edo / Tokyo. In the late 1880s, the firm began to publish under the names Takekawa Unokichi (武川卯之吉) and Takekawa Unosuke (武川卯之助), thought to be sons of Takekawa Seikichi. Sawamuraya began publishing books and by the mid-1860s began publishing actor prints and warrior prints (the latter in conjunction with Maruya Tetsujirō 丸屋鉄次郎). Learn More...