Digital Image: 1866 Tsukioka Woodblock Ukiyo-e Triptych of French Ships Leaving Port

FrenchShips-tsukioka-1866_d
佛蘭西大湊諸國交易圖 / [Illustration of a Large French Port Trading with Various Nations]. - Main View
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Digital Image: 1866 Tsukioka Woodblock Ukiyo-e Triptych of French Ships Leaving Port

FrenchShips-tsukioka-1866_d

This is a downloadable product.
  • 佛蘭西大湊諸國交易圖 / [Illustration of a Large French Port Trading with Various Nations].
  • Added: Wed, 26 Mar 2025 11:03:00
Ukiyo-e: The Other Side of Japan's Foreign Trade.
$50.00

Title


佛蘭西大湊諸國交易圖 / [Illustration of a Large French Port Trading with Various Nations].
  1866 (undated)     14 x 28 in (35.56 x 71.12 cm)

Description


FOR THE ORIGINAL ANTIQUE MAP, WITH HISTORICAL ANALYSIS, CLICK HERE.

Digital Map Information

Geographicus maintains an archive of high-resolution rare map scans. We scan our maps at 300 DPI or higher, with newer images being 600 DPI, (either TIFF or JPEG, depending on when the scan was done) which is most cases in suitable for enlargement and printing.

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Cartographer S


Tsukioka Yoshitoshi (月岡芳年; April 30, 1839 - June 9, 1892) was a Japanese painter and woodblock printer who is generally regarded as one of the last great masters of the ukiyo-e genre and among the last members of the celebrated Utagawa School of woodblock printers. Yoshitoshi (like other great woodblock masters, he is often known simply by his given name) was born in the Shimbashi neighborhood of Edo (Tokyo) to a wealthy merchant family that had used its wealth to gain samurai status. He was interested in art from a young age and from age 11 apprenticed with Utagawa Kuniyoshi (歌川国芳). As his life spanned the end of the Edo period and the Meiji period, Yoshitoshi was able to draw on new influences from abroad for his work, though in his later years, like many Japanese intellectuals of his generation, he became concerned with preserving Japan's cultural distinctiveness. Yoshitoshi's work is known for its intensity, often depicting extreme violence, nudity, sexuality (kinbaku), death, and macabre themes. Much of his work is classified in the genre of 'bloody prints' (無残絵); for instance, his series of 28 prints of famous murders in Japanese history. There is no doubt that his work was influenced by the chaos and violence rampant in Japan in the 1850s-1860s. In his later years, Yoshitoshi's works focused less on violence and sexuality and more on abstract or religious themes. He also maintained an interest in prints related to kabuki theater throughout his career. More by this mapmaker...


Iseya Kisaburō (伊勢屋喜三郎; fl. c. 1865 - 1898) was a publisher active in Edo/Tokyo at the end of the Tokugawa or Edo period and during the Meiji period. He primarily published woodblock prints. Learn More...

References


Met Museum Accession Number 2007.49.256a–c.